If you've ever been to a restaurant, an office, a school, a museum, a store, or the home of a grown-up (that is, if you've been indoors ever), you're familiar with matting—that stretch of blank paper often placed between a piece of artwork and its frame. It's there to separate the art from the glass, thereby protecting it, and also to enhance the overall look of the finished piece. Matting helps art breathe.
The standard recommendation from a good framer would be to add 2-ish inches around all sides of a small artwork, 3-ish around a large one, etc. Just a little bit, to keep things proportionate. But what about overdoing it?
There's nothing stopping you from asking your framer to add a few extra inches of matting—even dwarfing the size of the art with lots of extra space before the frame. True, this move hugely effects the way the art looks and interacts with its neighbors (as you can see in the image above), and isn't always the answer, but doing so can lend just the dose of unexpected drama that your wall needs.
Here are some reasons—along with a handful of pictures from around the internet to prove it—that we think using a whole lot of mat board can be very good thing.
Large-format art can be a pricey indulgence. The easy solution when you have a big blank wall is to hang a cluster of smaller pieces in a group ("the gallery wall")—but another option is to make a small piece much larger—by adding lots of roomy matting when you frame it.
When you do this to a set of artworks (or a quartet of them, seen above), what was once a very small wall hanging will cover way more real estate and will catch far more attention.
Extra matting adds grandeur—but also negative space—so choose the pieces you frame larger by using it wisely. A tiny painting that you want to give more prominence, a wispy drawing that you fear would get lost in the gallery wall: These are candidates for big mats.
If you collect old frames or buy a piece of art that's irregularly-sized (that is, not 4" x 6" or the like), you're going to run into a situation where the art will not fit in the frame you love for it in a standard way. Enter mat board, which can be custom cut to fit art of any shape to frames of any size (so long as they are, of course, larger).
This scenario is what breeds some of the most interesting framing: matting that's weighted on either side of a square piece of art so it fits in a rectangular frame you'd like to hang horizontally, or matting that's weighted on the top and bottom of a piece in a portrait-oriented frame simply because you can.
How do you creatively use matting when framing? Do you ever use color matting? Dish in the comments.