In December 2015, I self-published my first cookbook entirely from scratch: I did all the writing, photography, design, pre-order crowdfunding, marketing, and distribution. It was a lot of work, and a lot of fun.
As I embark on creating my second book, I've been looking back at all I learned—here are just a few of tips I would share with anyone wanting to self publish (I have many more!).
Design first, create content later.
Start with the dimensions of your book and page count. For example, I knew I wanted a large format book (9 inches by 12 inches) with roughly 200 pages (196 pages, because of how pages are bundled).
Next, I suggest creating a basic outline of your cookbook and divvying up the content to fit inside the desired page count. For example, I knew I wanted to dedicate one double page spread per recipe, with the photo on the left and the recipe on the right.
I settled on 60 recipes total (15 recipes per season), so 120 (of 196) pages were already accounted for. I filled the remaining 76 pages with my dedication, introduction, table of contents, chapter dividers, short stories (40 pages), resources, and index.
Then, I recommend taking your own rough outline of content and getting specific about the layout of each page. Need inspiration with editorial design layout? I loved watching Design is One, a fascinating documentary about Lella & Massimo Vignelli—influential Italian designers (think of them as the Italian Ray & Charles Eames). Massimo created the Vignelli Grid, which acts as an invisible guideline for placing text and images together in a very structured, calculated manner that is consistent throughout an entire book. In his words, “The grid is an integral part of book design. It's not something that you see. It's just like underwear: you wear it, but it's not to be exposed.” Grazie Massimo!
For example, my cookbook is based on a 3x5 grid: 3 invisible columns and 5 invisible rows. Can you see it above in my table of contents? All of my images and text are made up of “blocks” that adhere to this 3x5 grid.
Exhibit A: The page on the left includes three small photos (1x1 block), a portrait (2x3 block), and text (3x2 block). Exhibit B: The page on the right includes a portrait (3x3 block), text (2x2 block), and a small photo (1x2 block). The grid is magic!
Once you have created your own grid and a few different design templates, you can narrow in on how to fill these “blocks.” For example, based on my template I knew I needed to select 4 images to create the profile on Rutiz Family Farms and about 255 words to profile Sally Loo’s. I calculated the word count by selecting my typeface and font size, throwing in some dummy copy, and highlighting the copy to see how many words fit into a 2x2 block. Et voilà.
Once the design is in place, you know exactly how many photos you need to shoot (and their orientation), and how many words to produce. I strongly suggest spending a lot of time conceptualizing the design of the book before creating content. Design truly dictates everything.
If you are embarking on self-publishing a cookbook, chances are you are very into books and the tactile experience. To better visualize the end product in real life, step away from your computer files to create a book binder. I borrowed this idea from my cookbook crush Heidi Swanson of 101 Cookbooks. In her binder, she sketches out her content blocks, keeps track of recipe testing, and makes notes on completed photo shoots. You could organize everything in a blank notebook, but I found using a binder with plastic sheet inserts was easier because I could move around pages or sections to get the flow just right.
Get in contact with a printer early, and request multiple quotes based on various specs: page count, dimensions, paper type and thickness, binding options, cover type and treatment, and quantity. I paired up with Hemlock—they are a fantastic carbon neutral green printer that produces quality work, plus their customer service is top-notch. I received many samples of their work and got a wide range of quotes (150 pages vs. 225 pages, 8”x10” vs. 9”x12”, 80# paper vs. 100# paper, 500 copies vs. 9,000 copies). With their support I was able to pin down the exact specs that fit within my budget.
Set a demanding—yet realistic—timeline based on your release date. I suggest reverse engineering your timeline by picking the month and the year of your book release. For example, I knew I wanted my cookbook to hit the shelves in December 2015, right in time for the holidays. In order to receive the books on time, I had to submit my final files in October 2015 to Hemlock, but before that could happen, I needed to put down a 50% deposit to secure the paper and my spot in their production line. In order to do that, I had to raise the funds for the up-front printing costs through my Kickstarter campaign in August 2015...you get the picture. From ideation to creation to final production, it took me 2 1/2 years as a part-time side hustle.
The San Luis Obispo Farmers’ Market Cookbook: Simple Seasonal Recipes & Short Stories from the Central Coast of California. Yowza! I know, it’s long. I know, it’s a mouthful. My next cookbook will not have such a long-winded title and subtitle, promise! When naming your cookbook, it’s important to take into account people’s dwindling attention span, yet also keep in mind that your subtitle is your one-sentence attention-grabbing synopsis of the entire book. This is your one opportunity to hook a potential reader into thumbing through your book. Take your time in the naming process and get the opinions of others. Create an intriguing title and subtitle, then edit ruthlessly!
The San Luis Obispo Farmers’ Market Cookbook—produced by writer, photographer, designer, and self-publisher Kendra Aronson—features 60 seasonal recipes and 40 short stories from the Central Coast of California.