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Ma R.
June 25, 2018
It's a beautiful and healing metaphor. Thank you Candice for bringing it to light in such a warmly way to the western. Best!
702551
April 16, 2018
The related aesthetic Japanese philosophy called wabi-sabi is a more accurate metaphor for human existence.
Kintsugi involves repairing articles that were originally intact and pristine, but damaged from use.
Wabi-sabi is based on the principle that things are "imperfect, impermanent, and incomplete." Objects are never perfect, even from the beginning. That is a more accurate metaphor for life.
Moreover kintsugi (the actual craft) is only applied on *manufactured* items of substantial value. The Japanese wouldn't apply kintsugi on a mass market "chawan" or rice bowl. The cost (time, money) of the kintsugi repair needs to be more or less in line with the value of the item being repaired.
Wabi-sabi places value in ordinary things, including those that aren't manufactured. Things like a wood plank with a rusty nail, a knothole in a tree trunk.
Yes, there's a decision to apply kintsugi to a valuable damaged good, but there's also a decision *NOT* to apply kintsugi to a valuable damaged good. The Japanese don't apply kintsugi willy-nilly to anything old, damaged and valuable.
For some items, the application of kintsugi would devalue the object. Thus, the decision to use kintsugi is at the judgment of the person.
A basic grasp on the concepts of wabi-sabi can be useful in giving guidance to the individual about when to repair something and when to leave it be. Of course, the decisions are all personal and often individuals would disagree on the best course of action to take.
The Western aesthetic is remarkable different and it is easy to see some of the challenging decisions that people have to make. Let's say your city was bombed out in WWII and most of the structures are in ruins. How much do you rebuild, what do you leave as ruins, what level of effort/time/money do you put into restoring a given monument into its previous glory. Of course, opinions can change over time. The iconic Frauenkirche in Dresden was destroyed by Allied bombers in WWII and was left as ruins as a reminder of injustice. After the German reunification, opinions changed and the church was rebuilt. Today it is again a proud iconic symbol of the city of Dresden. It doesn't quite identical: plaster has replaced marble, the workmanship quality is not the same.
Even Japanese art restorers often take a more modern Western approach in not trying to fully reconstruct/repair an item, but rather let the damage show through. You can see this if you visit the top museums in Japan. It is not a kintsugi exhibition.
The key thing to remember is that prettifying all the broken areas isn't necessarily improvement.
If you want to use kintsugi as a life philosophy, you will also need to know when not to use it because it wasn't designed as a life philosophy but as an aesthetic craft technique.
Just something to think about.
Kintsugi involves repairing articles that were originally intact and pristine, but damaged from use.
Wabi-sabi is based on the principle that things are "imperfect, impermanent, and incomplete." Objects are never perfect, even from the beginning. That is a more accurate metaphor for life.
Moreover kintsugi (the actual craft) is only applied on *manufactured* items of substantial value. The Japanese wouldn't apply kintsugi on a mass market "chawan" or rice bowl. The cost (time, money) of the kintsugi repair needs to be more or less in line with the value of the item being repaired.
Wabi-sabi places value in ordinary things, including those that aren't manufactured. Things like a wood plank with a rusty nail, a knothole in a tree trunk.
Yes, there's a decision to apply kintsugi to a valuable damaged good, but there's also a decision *NOT* to apply kintsugi to a valuable damaged good. The Japanese don't apply kintsugi willy-nilly to anything old, damaged and valuable.
For some items, the application of kintsugi would devalue the object. Thus, the decision to use kintsugi is at the judgment of the person.
A basic grasp on the concepts of wabi-sabi can be useful in giving guidance to the individual about when to repair something and when to leave it be. Of course, the decisions are all personal and often individuals would disagree on the best course of action to take.
The Western aesthetic is remarkable different and it is easy to see some of the challenging decisions that people have to make. Let's say your city was bombed out in WWII and most of the structures are in ruins. How much do you rebuild, what do you leave as ruins, what level of effort/time/money do you put into restoring a given monument into its previous glory. Of course, opinions can change over time. The iconic Frauenkirche in Dresden was destroyed by Allied bombers in WWII and was left as ruins as a reminder of injustice. After the German reunification, opinions changed and the church was rebuilt. Today it is again a proud iconic symbol of the city of Dresden. It doesn't quite identical: plaster has replaced marble, the workmanship quality is not the same.
Even Japanese art restorers often take a more modern Western approach in not trying to fully reconstruct/repair an item, but rather let the damage show through. You can see this if you visit the top museums in Japan. It is not a kintsugi exhibition.
The key thing to remember is that prettifying all the broken areas isn't necessarily improvement.
If you want to use kintsugi as a life philosophy, you will also need to know when not to use it because it wasn't designed as a life philosophy but as an aesthetic craft technique.
Just something to think about.
702551
April 16, 2018
Another way to put it is that kintsugi is all about holding on to something.
Wabi-sabi is about letting go. "Everything has its season."
Remember that kintsugi is a *VISUAL* aesthetic. It doesn't change the fundamental nature of damage. Kintsugi-repaired objects are hand washed and hand dried, they are no longer dishwasher safe. Also, depending on the location of the kintsugi repair, the vessel may no longer be suitable for use with hot contents (soups, etc.).
Kintsugi can be a powerfully pleasing aesthetic decision for porcelain
and clayware (and some wooden) object repair, but usually there are some sacrifices and compromises that must be made.
There are other Japanese techniques in repairing damaged items; kintsugi is one of the flashiest of all of them. Of course, there's the option of just letting it be or that it's time to say goodbye.
Wabi-sabi is about letting go. "Everything has its season."
Remember that kintsugi is a *VISUAL* aesthetic. It doesn't change the fundamental nature of damage. Kintsugi-repaired objects are hand washed and hand dried, they are no longer dishwasher safe. Also, depending on the location of the kintsugi repair, the vessel may no longer be suitable for use with hot contents (soups, etc.).
Kintsugi can be a powerfully pleasing aesthetic decision for porcelain
and clayware (and some wooden) object repair, but usually there are some sacrifices and compromises that must be made.
There are other Japanese techniques in repairing damaged items; kintsugi is one of the flashiest of all of them. Of course, there's the option of just letting it be or that it's time to say goodbye.
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