Inspired byThe Art of Flavor, we're explaining (a few of) the major principles you need to be a creative, more confident cook. Check back throughout the week to learn all of the flavor rules.
I find that the first taste of a truly successful dish, be it at a restaurant or in a home kitchen, is often a clarifying moment. I may be surprised by the disparate-seeming ingredients, or puzzled by how the various textures and temperatures were achieved, but the experience of tasting the components as one is, at the best times, a revelation. The ingredients work together towards a final goal of overall deliciousness, while also pushing new aspects of the major players to the forefront—an elusive tomato intensity, the buttery sweetness of onions, a floral element to chocolate I've never before experienced.
But while it makes sense at the table, I often wonder how the recipe developer or chef got to that place: How did they know which ingredients to group together, or discover that final touch that makes the dish special? Even with a pairing that's classic—say carrots and orange juice, or bacon and dates—why is that so? (And can someone explain why the heck this vegetarian bacon mayo, with its soy sauce and grape jelly and Lapsang Souchang, succeeds?!)
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In The Art of Flavor, acclaimed chef Daniel Patterson and perfumer Mandy Aftel have come together to give readers the vocabulary and methodology they need to begin understanding the creative process of cooking, from selecting the ingredient that will jumpstart the decision tree, to choosing a cooking method (or methods), to building and balancing the dish.
The authors articulate concepts many of you might already intuit, putting words and organization to a system that likely happens naturally—and quickly—within the brains of many chefs and flavor experts. This way, the rest of us—either when building a recipe or trying to discern what makes someone else's recipe a victory—can slow down and ask ourselves the necessary questions: What does this dish need? What will make it better?
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Top Comment:
“Patterson instructs you to drain away your thin egg whites (see above), lest they go skittering off in the water, but I've skipped this step with relatively fresh eggs and not regretted my laze.
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For starters, Patterson and Aftel have distilled the complex mechanisms of flavor into four broad rules that govern how it works. "It seems so simple," they write, "but the essentials of flavor lie within these four basic principles. Mastering them will make you a better, freer, and more original cook."
We'll start with the first rule today, then address the following three throughout the week. (Stay tuned!)
But to make the recipe more interesting, look for a flavor counterpoint—something that varies in character, shape (what the authors define as "the overall impression of what you are tasting"), texture, or intensity—to break up the harmony and give the dish definition. Think of the contrasting ingredient like a punctuation mark in the long sentence, or a pop of color in an otherwise neutral outfit. Maybe your recipe's accessory introduces sharpness (mustard, lemon juice, vinegar), a fresh herbal element (mint, basil, marjoram), or briny saltiness (capers, olives, anchovies, bottarga).
Patterson uses potatoes and leeks as his case study: Both are earthy, bland, and sweet, in need of a flavor foil to keep the pairing from becoming a one-note, no-boundaries mishmash (or a run-on sentence).
He looks first towards sharp acidity, choosing to dress the duo in a vinaigrette. He grounds it in salty, briny, intense capers and oily, fishy anchovies, rounding out the dressing with parsley (for a grassy, fresh note), lemon juice and zest (the formers gives a brighter intensity), champagne vinegar (for more neutral acidity), and olive oil. He chooses radicchio as the greens, angling for a crunchy contrast to the soft potatoes and leeks and a bitter balance to their sweetness.
The finished dish, Potato-Leek Salad with Radicchio and Olive-Anchovy Vinaigrette, makes sense and seems natural—but I wouldn't have gotten to that point on my own without understanding Patterson's decision-making. And how all of it was put into my motion by this first rule.
Nectarines, tomatoes, and mozzarella cheese—luscious, mild, and moist—drizzled with reduced balsamic vinegar for a caramelly sharpness, and sprinkled with basil for a fresh anise note (as in the recipe below)
• Patterson instructs you to drain away your thin egg whites (see above), lest they go skittering off in the water, but I've skipped this step with relatively fresh eggs and not regretted my laze.
The more I cook and read blogs or lessons such as above, I loving realize I know so little. I am both adventurous in cooking, yet can be a stickler on other recipes. As I am older now, and have less people to cook for; I find myself looking for reasons and open palettes in and for others.
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